Allen vs. Mahomes: Chess Match at Highmark—Will Chiefs go 4-man+spy or 5-man to contain No. 17?
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BUFFALO, N.Y. — As kickoff nears at Highmark, the spotlight returns to Josh Allen versus Patrick Mahomes, where a familiar paradox is on trial: Buffalo often carries the regular-season edge while Kansas City lands the final punch in January. This time, the issue is damage control more than domination—how the Chiefs can live with Allen rather than “erase” him.

Kansas City’s plan narrows to two core shells: a 4-man rush with a dedicated spy to seal scramble lanes and force Allen to win from the pocket, or a 5-man pressure package to compress his clock and disrupt RPO/quick timing. Both cut both ways: adding a spy taxes the rush, while sending five can open screens/draws and escape lanes if contain angles drift. Chris Jones put it plainly: “You don’t shut him down. You only slow him down.” The aim is pragmatic—stack small stops, cap explosives, and trade the hunt for a single heroic sack for sustained leverage.
On Buffalo’s side, Allen remains a “two-level” quarterback: winning in structure and out of it. If Kansas City plays lane-discipline football, the Bills can answer with screens, orbit motions, and well-timed dig/over concepts to splice the middle when the spy is displaced. The hinge points remain the red zone and 3rd/4th & medium—snap-to-throw decisions where a half-beat late can flip the game. With injuries trimming rotations on both sides, depth and discipline should decide whose intensity lasts to minute 60.
Networks project a massive audience in the 4:25 p.m. ET window—not only for the star quarterbacks but also for the AFC seeding stakes. Expect another one-possession finish where turnover margin (+1) and red-zone touchdown rate become the simplest predictors of victory. If the Chiefs can speed Allen up across four critical sequences and blunt his explosive runs, they can tilt the script. If Buffalo sustains multi-level rhythm and forces Mahomes into longer possessions, Highmark may host yet another chapter worthy of the archives.
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